Showing posts with label changes. Show all posts
Showing posts with label changes. Show all posts

11 February 2015

Freedom at Midnight, an Indian Yearning


The peaceful, silent street on a day that I took a walk alone late at night in Indiranagar, Bangalore.


Girls are supposed to be seen, not heard” – I grew up listening my matron in the liberal boarding school I attended repeat this old adage over and over again back in 1994. Girls, she believed, were always to be seriously disciplined, discouraged from speaking up and punished often if they asked questions. One of the many rules the school enforced, I remember, was that we weren’t supposed to roam around campus at night on our own. Anywhere girl students went, an escort — either a staff member or a house warden — would be beside them so that they didn’t “misbehave”.

For several years, throughout high school and university, I found that this strange rule was observed in almost every private hostel for girls or young women. Our college hostel warden urged us to return to the premises by 6 pm. If we returned any later, we would have to pay a fine. At home, my parents would ask us to call if we were going out with friends in the evening. The night, as so many of us knew it, was out of reach. It was a time of day that was a mystery, filled with questions. Every now and then we would hear a story about women who had chains snatched, or were groped or molested on the road. Yet, to many of us, the night held promise of solitude, romance, parties, and long hours spent in reckless abandon.

To me, the darkness evokes mixed emotions. It brings back memories of the night of my first kiss with my childhood sweetheart, when we stood under the lamppost clinging on to each other, our hearts beating wildly against our chests. But it also brings back the intense fear I felt when I was first attacked on my way home in the evening; flashes of light as I was being dragged along the corners of the road by thieves on a motorcycle, thrown in front of a car while they wrenched my belongings away from me. I came home that night, my head bleeding, bruised all over my body. The policeman asked me two days later when I went to complain – “What were you doing out at night alone? Girls shouldn’t be walking alone at night.”

On December 2012, when a young physiotherapy student was brutally gang-raped on a moving bus, there were several voices in the Indian public arena openly asking whether she invited the assault by breaking the rule. Why did she step out at night?  Dr Asha Mirge, a member of the Maharashtra Women’s Commission, asked more than a year after the incident. Mirge famously commented on the Delhi gang rape and the Shakti Mills gang rapes, asking, “Why Nirbhaya, the victim in the infamous Delhi gang rape case in December 2012 should go to movie for a late night show (11 PM), and similarly the photo-journalist in Mumbai go to an isolated place of Shakti Mills at 6 PM?"

Now, after so many years, this sparked a revolution on the ground. It was a silent revolution, not one that was violent and filled with rage. Instead, women across the city were coming together to claim all of the day. They were stepping out to parks, going on picnics, enjoying exploring the city and travelling alone at night. Even better, they were challenging their own stereotypes about men and darkness. The campaign which gently ushered them to do this was called #WhyLoiter, a simple movement started by two young men asking women across India to post a photo of themselves loitering the streets, venturing out any time of the day and enjoying their public spaces. In just a few weeks, nearly two million women responded with photos of them taking on their freedoms; exploring dark alleyways, sleeping in the parks, eating chaat in the streets and climbing mountaintops. A rule had silently been broken.

Walking out alone at night in Bangalore
That night, I stepped out and decided I’d go for a walk alone. It was 11.45 pm and the streets were empty. Even the main road, which was usually lined with groups of twenty-somethings smoking or enjoying a laugh outside a pub, was quiet and dark. At first, I was cautious, ensuring that I stayed on the side of the street lamp all the time. Then, I didn’t care. It took me some time to breathe easy but I did it. It’s a feeling I cannot explain; that sense of lightness I felt when I didn’t turn around every second to look out for strangers, or speeding motorcyclists, or sounds. I just walked, strolling along at the usual pace that helped me relax. Fear, I realized, is often such a heavy and comforting feeling that it wraps women in a tight embrace they cannot break free from. Fear is comforting because it makes you take fewer chances; it feeds on your insecurities to keep you on the straight and narrow road. But freedom is silent, waiting for you to step outside the shadows of doubt.

03 October 2014

Friday is the (Inspirational) Movie Night: Dinner at Eight (1933)

#herstory


This one is educational instead of inspirational, be warned. Dinner at Eight (1933, George Cukor) is a manners comedy/drama and - despite having a marvelous ensemble of expressive actresses - not a feminist masterpiece. Nevertheless, it very clearly depicts the role of soft power that women have been relegated to in many times and places throughout the history, especially when separating her power inside the family and the expected persona of a sweet and demure wifey in public.

The cast does the job perfectly and - when everybody meets at the dinner table at eight, perfectly dressed and perfumed - almost none of the scheming and moving is visible.
Even more, the anxiety of the wives to influence and assure success (social and/or economic) is also to be understood in light of the realization that the husbands and their luck in business is all they have. Because, yes, you guessed right: it was believed to be unwomanly to work for a wage if that was avoidable. Think of the stress of being completely dependent and - supposedly - with no voting rights regarding the family finances! That's why Dinner at Eight ladies do their little secret planning and negotiations.

+ You get the adorable Jean Harlow as a very ambitious social climber! Power to her!

To remind that the ethos of scheming behind the partner's back in the family still hasn't died even in postindustrial societies, see, for example, My Big Fat Greek Wedding (2002):

19 September 2014

Friday is the (Inspirational) Movie Night: The Witches of Eastwick (1987)

#inspirationalmovies


You can, of course, analyze the classical piece that The Witches of Eastwick (1987, George Miller) is as a tale of seduction and revenge. But that's by far to easy... there's so much nuance in this + the perfect ending.

As I've claimed before, love interest, romance and passionate affairs can be - and often are, especially in cinema - the vehicles of empowerment and emancipation. This narrative can be rather predictable and slightly overused, but, hey, if the authors know how to show that it's not the man that has to be central to one's life in order to transform but an relationship offering an alternative mode of doing things that has a capacity to change people. Can be friendships. And can be romance. See examples here, here, here among many more. 
Yes, it is a heteropatriarchal way of constructing female emancipation. But better this than none, provided that the protagonists know what they are doing!

And The Witches... offer much more than just emancipation via Jack Nicholson.
You get the friendship that's prior to scandal and that remains afterwards. You get sexual emancipation based in pleasure and indulgence in bodies. You get creativity and playfulness. And you get the healthy realization that some things have gone too far and have to be gotten rid of.
It's a John Updike novel after all.

03 January 2012

girls + changes, or Holly dyed her hair...

"The myth of female frailty tells us that when a young woman starts exploring her dark side, she’s begun down a very dangerous road that could have life-damaging consequences. Obviously, if she starts shooting heroin, that’s true. But Holly — like so many other teen girls whose fascination with darkness is made manifest — isn’t doing anything life-threatening. She’s started reading Kerouac and Inga Muscio instead of Vogue and Seventeen, she’s getting showered and dressed and out of the house in less than half the time it took her a year before. This is healthy as can be — and yet it’s genuinely terrifying to many of the folks around her. Fed by a culture that falls all over itself with (often faux) expressions of concern about teen girls, many of her friends — and some of the adults in her life — are scared that Holly’s gonna “do something stupid now” and “ruin her life.”"

An excerpt from Hugo Schwyzer's inspirin blogpost Holly dyed her hair: more on myths of female frailty, our fear of women's anger, and what happens when the truth comes out

And as further reading I can certainly suggest Eve Ensler's book I Am an Emotional Creature
(as we all have seen the I ♥ Being a Girl video)