Friday is the (Inspirational) Movie Night: Maleficent (2014)

#inspirationalmovies

If you haven't seen Maleficent (2014, Robert Stromberg) yet, drop everything and go get it! If you have, this might be a nice moment to watch it again. And again. Because as far as Disney (and many more) movies go, this is as directly grrrl power and smash the patriarchy as it will probably ever get in the mainstream entertainment business*.

First of all, do not listen to those who call this a version of Sleeping Beauty. While Aurora is involved, this is a completely different story. One that makes more sense, I - without even being of the branch of eco-feminism and essentialism - would say.

The interpretation of the script that resonates with me is the basic idea that if you (violently) crush somebody's sense of self, their capacity to express themselves and enjoy the life, expect trouble. Applied to a girl-child with powers to revenge her loss magically - and, oh, so powerfully - here you have Maleficent.

The fact that the harm is inflicted by a man, masked behind a romantic interest, just makes it more close to reality for many survivors around the world, really. Jolie herself has spoken out both on gender-based violence and rape, and on possible parallels with it you can find in Maleficent. Yes, rape exists and you can start a conversation about it using this Disney movie.

And the good news are: people can heal when time and support is given. Yes, thank you, Disney!

Additional points go to the creators for making the prince to be against the idea of kissing an unconscious girl he barely knows. Great, the need for enthusiastic consent can be evoked right here! Even more, in this movie - as in Frozen (2013) - the real love is not the one coming from a prince on a white horse. Kudos, Disney, I'm very impressed!

* I hope that's not true and I shall see more and more explicitly feminist movies coming up where the pink princess culture was, but I don't hold my breath for that. Therefore enjoy this one as intensely as you can!

 

Friday is the (Inspirational) Movie Night: The Best Little Whorehouse in Texas (1982)

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For when you get tired of debating sex work policies, pondering on your views on porn and other types of adult entertainment - no, we are not having that discussion now - watch the most light-hearted sex work themed movie ever (at least from what I've seen): The Best Little Whorehouse in Texas (1982, Colin Higgins).

It's pure US-made kitsch as only the 1980's were able to do it replete with cowboy dance numbers, songs and *good, clean fun* in the brothel run by the icon, the one and only Dolly Parton who gets in trouble because of religious bigots.

Leaving aside the whole sex work debate (do it someplace else), the strong points of the movie are:

+ A female entrepreneur fighting for her business and employees.

+ Two adults having a non-traditional form of organizing their romantic and sexual lives, which they are pressured to do because of the social perceptions of proper behviour.

+ A very precise depiction of the double standards of the crusaders for morality...

+ The chemistry between Dolly and Burt Reynolds is abundant, oh! uh!, fun to watch actors that 'click' doing the romance scenes.

+ An overall light and fun attitude towards sex and sexuality.

+ Who would have thought that this cheesy piece came from a movie centered around sex work?

Friday is the (Inspirational) Movie Night: Gone with the Wind (1939)

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"Why does a girl have to be so silly to catch a husband?"

OK, this one is a challenge, because you can interpret it both ways. You could argue that - as in the case of Dirty Dancing, for example - there's not much empowerment or feminism to be found in Gone with the Wind (1939). It's racist. It's androcentric. It's about a privileged girlie facing the world and looking for a man to shelter her from the reality.

But here comes the trick: she ends up having to do stuff for herself. On her own. And that is revolutionary. Well, especially for a Hollywood studio superproduction of 1939 and a novel (written by a woman, take note) describing realities of a Southern-belle suddenly thrown into a turmoil.

Our impulse for including Gone with the Wind among our suggestions come from this article in Spanish critical feminist magazine (google translate should be able to help you!). They ask the following question: how come that even people aware of all those shortcomings (when it comes to aspiring towards empowering feminist fiction) do find it inspirational and somehow - backwardly - groundbreaking?

Their answer goes along the lines of recognizing the qualities of the heroine. Because beyond the superficial persona that Scarlett puts up in order to - very strategically! - try to attract a good match for marriage there is strong person able to grow and overcome the loss of privilege and vanity. An additional credit has to be given for the courage to admit - although through pain and not by choice - that there is life beyond romance and coupledom. And to the conviction that "tomorrow is another day". Resilience, therefore.

By the way, reading the book is always a good idea, too.

Friday is the (Inspirational) Movie Night: The Hours (2002)

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The Hours (2002, Stephen Daldry) reflects the inner life of three very different women - one of the being Virginia Woolf - connected by Woolf's novel Mrs. Dalloway (1925). Based on Michael Cunnigham's eponymous novel, the plot revolves around the fragile nature of happiness and how, even when satisfaction is expected, is does not always come.

Other recurrent themes are the complexities of affective relationships (love is complex, you know), sexual orientation and ways to canalize it (especially in oppressive setting), femininity and gender roles.

Of course, the three lead actresses - Nicole Kidman, Meryl Streep and Julianne Moore - add value to the picture. Also, pay attention to the colours and to the beautiful, stream-like pace of the movie

Friday is the (Inspirational) Movie Night: Como agua para chocolate (1992)

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While Como agua para chocolate (1992, Alfonso Arau) might seem just another period piece about love and customs, it is not so. Based on a  novel of Laura Esquivel, Like Water for Chocolate: A novel in monthly installments with recipes, romances and home remedies (1992), it mixes the traditional Western love story with a healthy dose of magical realism.

It analyzes - as good period pieces should - the pressures that social customs place(d) on people. And seeing in detail how women were coping with the fact that submission and passivity were expected from them and the very reality of being a person. With feelings, emotions, desires, and dreams.

As legions of women have done throughout the history, the heroine here finds solace in cooking and breaking free time-by-time (baby steps, you know). Her cooking, though, goes beyond that of your and our grandmothers... because Tita's cooking is magic: the food she prepares transmits her feelings, therefore she can make the whole wedding-crowd cry and people twirl of pleasure at the dinner table.

Resilience!

Unbreakable is a very power art project that portrays rape survivors' strength after sexual abuse, aimed to break the silense surrounding rape and to shed light on the issue, and to remind to those whose innocence was stolen that they are never alone.There are "photo days" in US and Grace absolutely accepts submissions!