Friday is the (Inspirational) Movie Night: The Little Mermaid (1989)

#inspirationalmovies

It has been some time since we claimed that a classical piece (almost) nobody viewed as feminist masterpiece.... actually was one! (Remember the explosion in both your and our brain caused by the idea that Dirty Dancing (1987) was a feminist gem?)

So here comes another one in the you-would-have-never-called-it-feminist-until-now series*. The Little Mermaid (1989). Yes, the Disney sea-princess garbage where a young girl gives up her family, friends and talents in order to pursue a man she has seen once. Meh... or at least we thought so.

Well, read this paper written by Stephanie Stott, a student in Kim Magowan’s gothic lit class at Mills College called  The Little Mermaid: Our Favorite Gothic Villain and you just might want to give Ariel another try. Or at least know how to reframe the story in order to minimize the damage if young girls around you suddenly want to emulate the little mermaid.

* That's of course not actually true as somebody has analyzed these movies as such and hence we are reporting. But the great majority...

Friday is the (Inspirational) Movie Night: Doubt (2008)

#inspirationalmovies

To close the little conversation on catholicism and women we've been having, here's a look from the other side. Doubt (John Patrick Shanley, 2008) is a forceful piece on the soft power of women in patriarchal structures and of the power of a personality, of someone convinced that she knows the truth and has to do anything possible to right the wrongdoing.

It is not a coincidence that Meryl Streep is in the center of this movie, offering a story of a school principal trying to make sure that her institution is living according to highest morals. The extraordinary force of the film comes exactly from the clash between her convictions of what's right and wrong and her willingness to ruthlessly purge the ranks of her organization (the catholic church) in case of doubt about someone's adequacy to form part of it.

It's beautifully filmed, Meryl is sublime, and her torment (not for nothing the movie is named Doubt) offers a tale familiar for most doing any activism: you have to deal with unclarity,  doubt, tensions between separating your own bias from the bigger picture.

Friday is the (Inspirational) Movie Night: Philomena (2013)

#inspirationalmovies

Continuing with my special mini-cycle dedicated to Catholicism and women, today's movie is basically a (polished up) sequel of The Magdalene Sisters. 

Philomena (2013, Stephen Frears) is based on a true story that nevertheless feels somewhat unbelievable. Well, there's reality for you. If after The Magdalene Sisters you asked yourself about the possible futures of the girls who got away from the religious institutions controlling them, here you have the story of Philomena Lee.

There's difference and nuance, though. In the eyes of the religious establishment Philomena had comitted a sin. She had sex before marriage (oh!) with someone she (apparently) barely knew (gasp!) and she liked it! Mind you, this is a very important difference between the discourse that The Magdelene Sisters present and Philomena's story. As Rose in last week's movie (in contrast of other women in that film), Philomena did actually transgress the social norms and was very unlucky to become pregnant as a consequence. And her child was taken away from her.

This is the double sword of the story. On one hand, there's actual pleasure involved. She enjoyed being with that boy. On the other hand, this very fact makes her even more vulnerable to all the injustice done to her afterwards. If your religion (and people in position to punish you) maintain that you have to repent and suffer for your sins, and you know very well that you have transgressed, the likelihood of rebellion seems to be lower.

Yet this is only a part of the story. The second drama revels when Philomena - already older and after a marriage and other children - gets help of a journalist in trying to find her son. Apart from a pretty unbelievable turn of events... Ah, go, see it! ... you get the amazing dame Judi Dench playing someone torn apart by her trauma of loss of a child and faith that's represented by the same people who treated her so badly.

An additional feature that makes the movie a treat is the clash of worlds that her interactions with the world class journalist embarked upon a human interest story lead to. These ar class difference and not gender driven, and challenge the airbrushed image of drama-worthy and interesting people. Good for you, Philomena!

Friday is the (Inspirational) Movie Night: The Magdalene Sisters (2002)

#inspirationalmovies

There is no particular reason why I'm offering a mini-cycle on women and catholicism. That's how they've constellated in my to-publish list. No excuses.

The Magdalene Sisters (2002, Peter Mullan) unearths the horrifying tale of Irish Magdalene laundries well into XX century. This is one of those religion-tries-to-deal-with-human-sexuality tales that makes your hair stand up.

Want a recipe for complete disaster of human wellbeing? Organize a society where a group devoted to the belief that human sexuality is impure and sinful (and legitimized only by procreation inside the wedlock) has a lot of power. Then - making a reference to an old book of tribal myths from 2000 years ago - decide that only one half of each heterosexual couple is to bear the burden of stigma attached to "improper" sexual behaviour: the woman. Sum to that a parallel belief that sins can be paid of by hard work and being miserable. And then a sinister idea that there actually might be a profit to be made of the hard work of the sinners confined to closed spaces and completely controlled by (people pretending to be) religious fanatics.

That's the ugly story of the Magdalene laundries in a nutshell: "fallen" women disowned by their families and exploited by catholic orders... Watch the movie, do an advanced google search, read some books and/or articles on this very disgraceful page of catholic church! At least you'll know the dark side of the all-the-charity-work-the-religion-has-been-doing-for-women discourse.

The impact that the trauma had on the lives of those that managed to survive that living hell? I'll tell you next week which movie to watch for that bit of information... But you can start by reading this.

Friday is the (Inspirational) Movie Night: Temple Grandin (2010)

#inspirationalmovies

Before I go talking about this movie, it's heroine and what makes it inspiration, I have a confession to make. She is not my hero. For me, Temple Grandin is an example of great persistence, success and overcoming. A brilliant scientist that has dedicated all her life to the wrong cause, promoting better slaughter of farm animals instead of really caring for their wellbeing.  

Nevertheless, her story is amazing and that's why this story falls under the inspirational tag. Grandin's life is an example of how with love, understanding and stubborn persistence when everything else fails pretty much everyone has great potential to be developed.

Temple Grandin (2010, Mick Jackson) is based on Grandin's memoirs tracing her path from being a child that the doctors did not expect anything from to becoming an accomplished scientist and autism activist working to ease the experiences of people suffering from autism. So there are several take-away lessons for this blog in particular: (1) there are valuable life lessons hidden even in lives of the people whose accomplishments you don't like, accept it and learn from them, (2) parenting and teaching does wonders, therefore pay attention to how world can be improved by people who live and work with children; those are crucial people that can destroy or elevate the spirits, (3) you can achieve a lot - even if the odds are against you - if you show up and insist on doing, (4) even if you do not fit in any of the stereotypes ascribed to you (Temple is really out there in all her un-social, un-feminine, un-easy rawness), you can succeed and do what you are passionate about.

Here you can see Grandin in action giving a TED talk on the value of diversity of thinking:

 

Friday is the (Inspirational) Movie Night: Female directors that did not get their Oscars

This selection is not about the content, but about the authors. While our inspirational movie list is growing longer and longer, there are only few among them who have been directed or written by women (or transpersons for that matter). Yes, not all women-directed movies are good or feminist. Yes, there are feministing movies made by men. Yes, directorship is not the only position from which women can influence the movies. You have screenwriters, writers whose work is adapted to movies, women whose lives are adapted to movies, but...

This article came out after the 2014 Oscars nominations were announced, offering a list of women who - while movies they had directed were nominated to Best Picture - were not nominated for the Best Director award.
The chonological order for those cases is the following: 

1986 - Children of a Lesser God by Randa Haines
1991 - The Prince of Tides by Barbra Streisand
2007 -  Little Miss Sunshine by Valerie Faris (co-director with Jonathan Dayton)
2008 - Slumdog Millionaire for which the award was given to Danny Boyle but not to his co-director in India Loveleen Tandan
2009 - An Education by Lone Scherfig
2010 - The Kids are All Right by Lisa Cholodenko
2010 - Winter's Bone by Debra Granik
2013 - Zero Dark Thirty by Kathryn Bigelow
2014 - Selma by Ava DuVernay

Only four women have actually earned nominations for Best Director in the history of the ceremony:

1976 - Lina Wertmüller for Seven Beauties
1993 - Jane Campion for The Piano
2003 - Sofia Coppola for Lost in Translation
2009 - Kathryn Bigelow for The Hurt Locker

Bigelow is the only woman to win the award. They have been giving these things out since 1929.

Lesson learnt? Keep your eyes peeled for movies directed by women, because the big award machines won't give that to you. Here are few additional suggestions from the movies that we have covered. And here's a longer list on imdb.com to keep you entertained.

+ An elegant rant on the particular uglyness of the 2014 nominations.

Friday is the (Inspirational) Movie Night: Designing Woman (1957)

Guess, when did Hollywood decided that it was OK for a woman to have a life beyond romantic aspirations! Well, around 1957.

Designing Women (1957, Vincente Minnelli), while following much of the style of other misunderstanding-based romantic comedies (see Bringing Up Baby (1938)), introduces some elements that make it much more advanced than you would expect.

The heroine (the most amazing Lauren Bacall, mind you) is a very successful fashion designer. So, contrary to the female employment patterns in US at that time (work until marriage, then full-time caretaker), she has no intentions of quitting even if stumbling upon a person she'd like to marry.

While vacationing, she enjoys the party and actually does find somebody she likes. She proceeds to take time off from work to enjoy the romance.

She eats! A lot! Claiming that she eats ridiculous amounts when in love, Marilla proceeds to devour stuff. Implication? Women - even the very beautiful and successful - are humans. They require calory intake. Good news fro women everywhere, taking account how complex the dominant culture makes our relationship with food.

When starting to build an everyday life together, turns out that she earns more than her partner. He suffers about it a bit, then gets over and life goes on. The tension does not go back to that. Ha! Even more, they have very different lifestyles and social circles. And that is deemed to be OK. They can live with it.

It's not all feminist dream (and, obviously, a very privileged, high class scenario), as the plot spinner is jealousy of Marilla fuelled by the nondisclosure of information by Mike in the name of protecting Marilla. But the amazing part (for 1957!) is that once overcome the misunderstandings, there's no insinuation that Marilla should quit her job, change her friends or somehow differently adjust to her partner. Nice, eh?

Friday is the (Inspirational) Movie Night: Wadjda (2012)

#inspirationalmovies

Wadjda (2012, Haifaa Al-Mansour) is exactly what you expect when watching a well made movie telling you tales about cultures very different from the one you live in: gives you a general picture of a society while stating very clearly that it's by no means completely homogeneous. Very well. And when such a movie come from the first ever Saudi-Arabian female movie director, your feminist obligation is to go and watch!

The premise is very simple and compelling: What happens when a girl that's already struggling with quite restrictive cultural norms of her society gets a strong urge to trespass even more? Or, in other words, what happens when Wadjda, a young Saudi-Arabian girl, wants a bicycle?

So get the movie, gather all the children (and not so children) you care about and watch Wadjda with them. And if you live in a context different of that of Wadjda be prepared to answer many questions. Why is everybody against her having a bicycle? Why are all the women covering themselves in black when leaving their own spaces? Why are girls not to be friends with boys? Why can men have several wives (and abandon their wives if they are unable to give them male children)? Why are girls followed very closely by their teachers to make sure they behave in a certain way? Why girls suspected of a lesbian relationship publicly shamed? And so on... Most importantly, what is likely to happen with Wadjda when she gets older? What kind of life is she likely to lead?

It may also help to ask those questions to yourself too. Just to realize what are the things that you most likely take for granted in life.

Friday is the (Inspirational) Movie Night: Million Dollar Baby (2004)

#inspirationalmovies

This one might be too harsh to be inspirational. But you will have to judge that on your own. Million Dollar Baby (2004, Clint Eastwood) is a sports movie. A boxing movie. About hurt and suffering people.

As sports movie it goes pretty much as expected: we have a heroine who through hard work - mental and physical - gets to prove everybody how they were wrong about her abilities and character. Inspirational so far.

Even more, you get a story about several lives so empty and broken that the fight and success in the ring is the only way she perceives that allows self-realization and freedom. Then again, it's still brutal (and dangerous) fighting in men's world with other women... but who are we to question the dreams of well informed adults?

+ A movie where a woman in a central role is neither expect or made look conventionally pretty at any moment. Also, the sexist structures of the society (and sports!) are laid very bare.

+ The extremely multifaceted and talented Hilary Swank. Breathtaking!

- If you are sensitive to violence and not that into people having fist fights for fun (and money), the whole boxing context might result very crude and overwhelming.

Friday is the (Inspirational) Movie Night: I'ts Complicated (2009)

#inspirationalmovies

This is one to relax and take it easy, pros and cons will follow... I bring you It's Complicated (2009, Nancy Meyers). It may be actually aimed to your mom (or even grandmom) by the studio bosses, but what do they know about feminist movies? Clue: not much. So here I am, doing their work...

+ Nancy is a female writer and director that has made it big big big in Hollywood. With romantic comedies mostly, that's true, some ore feminist than others but still very big. I have a special weakness for female directors, what can I do?

+ Romantic comedy about people in their 50s or 60s... having romantic affairs and sex, apart from active professional and otherwise social lives. No as daring as Harold and Maude (1971) - hey, this is the big Hollywood Christmas fun movie for women (I'm sure that's how the marketers categorize this movie) after all - but still very valid image of people having fun and enjoying their sexualities.

+ Despite quite obvious love triangle, the ending is - spoiler! - not as you would expect. Neither life or movie ends with a happily ever after i.e. girls gets the boy she wants most. Life is not that easy. And the heroine is pretty OK as she is.

+ Meryl Streep. Who else? I'm deeply and passionately in love with her work, and this is a very nice fun bit.

- Jane, the central heroine, in this movie is a somewhat very softened example of a woman of career. Se has a cake shop that she does not spend her days in. Her hobby after a working day is to cook abundantly and extravagantly to her children, ex-husband, architect, whomever... her life story implies studying the fine art of French cooking abroad but with little consequences apart from croissants (think about Julia Child but much more demure).

- The families depicted live in a fantasy land of material abundance and their worries are pastries and house refurbishment into something even more amazing, etc. No worries about business, salaries, college funds for all the kids, etc. A Christmas fantasy movie indeed.

To conclude: watch this with your mom, aunties, grandmother... gonna be fun!

Friday is the (Inspirational) Movie Night: Hanna (2011)

#inspirationalmovies

Hold on to your chairs... because here you have a quite classical thriller centered around a girl. Hanna (2011) is a weird story, no doubt. And I'm perfectly fine with debating - as in the case of Beasts of the Southern Wild (2012) - if being raised in a way that's alternative to the great majority and puts children in harms way is child abuse. Probably it is. But then again, raising a child on just Cartoon Network and candy could be considered very limiting and severely suboptimal too. Also, Hanna is 16 instead of 6-year-old Hushpuppy. Evolving capacities, people, evolving capacities. And a rather sci-fi narrative. Let's focus on the particular piece of fiction then.

It's eerie to watch it. Especially if you are sensitive to cinematographic violence. And it makes you question social conventions around the way we socialize our children, teaching them what's acceptable and what's not. Completely arbitrary sets of values, of course.

Also, by showing a quite rare narrative (Luc Besson's La Femme Nikita (1990) and Léon: The Professional (1994) come quite close, though), forces you to realize how internalized in this culture are the idea that violence is something that only adult men do. It's weird and doesn't feel right to see the dreamy Saoirse Ronan killing animals and people. It takes a movie like this to get hit by the hard truth that the violence is heavily gendered. Culturally obvious, but tricky still.

A little bonus just for you: the haunting Hanna's theme. You are welcome!

Friday is the (Inspirational) Movie Night: Matilda (1996)

#inspirationalmovies

Ok, consider that this is as Halloweenish/All Saints/All Dead I'll go. Here you have superpowers, intimidated children, terrible parents and teachers, and scaring people out of their wits. And the love for books... and Roald Dahl.

Matilda (1996) is a very sweet and very 1990's version of Dahl's tale about:

1) A little girl that has landed in the wrong family by birth. But, as the blood of the covenant is thicker than the water of the womb, finds her happiness in books first and then in leaving them behind once she has found an alternative, better suiting family.

2) A little girl with superpowers that permit her to fight against injustice, punish the meanies, and have fun.

3) A little bibliophile obsessed with the escape and horizons that books offer.

4) A little smartass that instead of formal schooling chooses unschooling at home as her happy ending.

That's why Matilda is a superheroine I'd chose over Hit-Girl. Also, the crucial story is centered around three female protagonists: Matilda, Miss. Honey and Trunchbull. And that's an emanicpatory thing: you get to see that there are many ways how anyone - also anyone gendered as a girl/woman - can yield power. While the level of stereotypical masculinization of Trunchbull can be discussed (is she depicted as masculine in order to be more of an Other, more scarier?), the very fact that it's a female-dominated narrative (+ Matilda's father) is already note worthy.

Friday is the (Inspirational) Movie Night: Tangled (2010)

#inspirationalmovies

Yes, I admit a weakness for well done mainstream stuff for children. 'Cause they are the future, you know! If they get decent stuff to watch, maybe we won't be doomed as species. At least not that soon... Anyways, Disney's most recent version of the Rapunzel story - Tangled (2010) - could be considered their test of waters for a (somewhat) new kind of princess (this is before Frozen (2013), keep in mind, and before Brave (2012)).

While far from Disney's most interesting takes on (quite) feminist princesses - think Mulan or Merida - there's a lot to take out from this Rapunzel.

Lesson 1: A sign of personal maturity is to be able to overcome the limits your guardians have set if you feel that something from beyond those is calling you. Obedience is not by default the best choice. Your safe home may turn out to be a secluded tower with no exit. And you may have to jump to get out of it.

Lesson 2: Be ready to use force and cunning when in danger. Obvious, but not very princessy. Real world stuff.

Lesson3: Authenticity is better quest for perfection. Following what just feels right might give you a (messy) prince and a kingdom queendom. Or just make you happy.

Friday is the (Inspirational) Movie Night: Victim (1961)

#inspirationalmovies

Retaking the theme of sexual diversity in restrictive cultures (well, at least more restrictive than others), here you have a historical gem: Victim (1961, Basil Dearden). While it's about men surrounded by men and women are just part of the context that refuses to accept and embrace (see Eyes Wide Shut (2009) for a contemporary twin and A Single Man (2009) for a depiction of the same era done recently), it still adds powerfully of the narrative of consequences of criminalization of consensual sexual behaviour among adults.

The movie as such - while depicting the horrors to what anti-sodomy laws may lead - is very progressive in the generalized message and surprises with that. It was 1961, think of that.

Also, the central marriage shown illustrates the importance of communication in the couple and mutual effort to understand each other. Obvious stuff, but still very important and not as widely practiced as needed.

Friday is the (Inspirational) Movie Night: Harold and Maude (1971)

#inspirationalmovies

From the writer and director of The Best Little Whorehouse in Texas (1982), here you have an even weirder piece on sentimental (and sexual) liberation: Harold and Maude (1971, Hal Ashby), a love story and life lesson neatly packed in total eccentricity! You are welcome!

While Harold's coming of age is the linchpin of the movie, he does that through his experience of meeting and getting to know Maude. Oh, Ruth Gordon, oh! At last, an inversion of the empowerment-through-romance-with-men we have seen so much (as in here, here, or here).

The special pluses:

+ Life is long and people can enjoy it at all ages!

+ And we are sexual, sensual beings at all ages!

+ Intergenerational love exists. And is also sexual.

+ The movie is a cult classic with very peculiar and most awesome esthetics. Rookie even suggests ways how to bring Maude in your warderobe.

Friday is the (Inspirational) Movie Night: Dinner at Eight (1933)

#herstory

This one is educational instead of inspirational, be warned. Dinner at Eight (1933, George Cukor) is a manners comedy/drama and - despite having a marvelous ensemble of expressive actresses - not a feminist masterpiece. Nevertheless, it very clearly depicts the role of soft power that women have been relegated to in many times and places throughout the history, especially when separating her power inside the family and the expected persona of a sweet and demure wifey in public.

The cast does the job perfectly and - when everybody meets at the dinner table at eight, perfectly dressed and perfumed - almost none of the scheming and moving is visible.
Even more, the anxiety of the wives to influence and assure success (social and/or economic) is also to be understood in light of the realization that the husbands and their luck in business is all they have. Because, yes, you guessed right: it was believed to be unwomanly to work for a wage if that was avoidable. Think of the stress of being completely dependent and - supposedly - with no voting rights regarding the family finances! That's why Dinner at Eight ladies do their little secret planning and negotiations.

+ You get the adorable Jean Harlow as a very ambitious social climber! Power to her!

To remind that the ethos of scheming behind the partner's back in the family still hasn't died even in postindustrial societies, see, for example, My Big Fat Greek Wedding (2002):

Friday is the (Inspirational) Movie Night: Turn Left at the End of the World (2004)

#inspirationalmovies

Somehow I've got the impression that there are more coming-of-age stories about boys than girls... and that's why the effort here is to pay attention to the ones telling the stories of girls, and preferably not only those made in USA. As a result of that, here you have Turn Left at the End of the World (2004, Avi Nesher).

The plot is that of an encounter of two girls - both immigrants in 1960's Israel - and forging a friendship while sailing the troubled waters of deciding futures, bending cultural restrictions, falling in love, discovering that people might not be the ones you believed them to be... the usual growing up stuff that hurts so much at the moment.

The most similar of our past suggestions is Towelhead (2007). Turn Left... is a much milder version of the cultural and sexual tensions, though. Sara and Nicole - the central characters of Turn Left... - are almost grown-ups themselves and in position to negotiate their lives with much more agency than little Jasira, despite the fact that the time and place depicted is supposedly so much more conservative.

Plus points are gained with:
- Scene of female masturbation (still too rare in movies).
- Depiction of a close friendship that's intense and sensual but does not enter the territory of a full-blown romance. Romance is good (see Show Me Love (1998) for that, by the way), of course. Nevertheless, there's a whole vast area of attractions and intimacies that happen in friendships that balance on becoming a love affair but never get there, and it's nice to see them depicted in cinema.

Friday is the (Inspirational) Movie Night: The Witches of Eastwick (1987)

#inspirationalmovies

You can, of course, analyze the classical piece that The Witches of Eastwick (1987, George Miller) is as a tale of seduction and revenge. But that's by far to easy... there's so much nuance in this + the perfect ending.

As I've claimed before, love interest, romance and passionate affairs can be - and often are, especially in cinema - the vehicles of empowerment and emancipation. This narrative can be rather predictable and slightly overused, but, hey, if the authors know how to show that it's not the man that has to be central to one's life in order to transform but an relationship offering an alternative mode of doing things that has a capacity to change people. Can be friendships. And can be romance. See examples here, here, here among many more. 
Yes, it is a heteropatriarchal way of constructing female emancipation. But better this than none, provided that the protagonists know what they are doing!

And The Witches... offer much more than just emancipation via Jack Nicholson.
You get the friendship that's prior to scandal and that remains afterwards. You get sexual emancipation based in pleasure and indulgence in bodies. You get creativity and playfulness. And you get the healthy realization that some things have gone too far and have to be gotten rid of.
It's a John Updike novel after all.

Friday is the (Inspirational) Movie Night: Maleficent (2014)

#inspirationalmovies

If you haven't seen Maleficent (2014, Robert Stromberg) yet, drop everything and go get it! If you have, this might be a nice moment to watch it again. And again. Because as far as Disney (and many more) movies go, this is as directly grrrl power and smash the patriarchy as it will probably ever get in the mainstream entertainment business*.

First of all, do not listen to those who call this a version of Sleeping Beauty. While Aurora is involved, this is a completely different story. One that makes more sense, I - without even being of the branch of eco-feminism and essentialism - would say.

The interpretation of the script that resonates with me is the basic idea that if you (violently) crush somebody's sense of self, their capacity to express themselves and enjoy the life, expect trouble. Applied to a girl-child with powers to revenge her loss magically - and, oh, so powerfully - here you have Maleficent.

The fact that the harm is inflicted by a man, masked behind a romantic interest, just makes it more close to reality for many survivors around the world, really. Jolie herself has spoken out both on gender-based violence and rape, and on possible parallels with it you can find in Maleficent. Yes, rape exists and you can start a conversation about it using this Disney movie.

And the good news are: people can heal when time and support is given. Yes, thank you, Disney!

Additional points go to the creators for making the prince to be against the idea of kissing an unconscious girl he barely knows. Great, the need for enthusiastic consent can be evoked right here! Even more, in this movie - as in Frozen (2013) - the real love is not the one coming from a prince on a white horse. Kudos, Disney, I'm very impressed!

* I hope that's not true and I shall see more and more explicitly feminist movies coming up where the pink princess culture was, but I don't hold my breath for that. Therefore enjoy this one as intensely as you can!

 

Friday is the (Inspirational) Movie Night: The Best Little Whorehouse in Texas (1982)

#inspirationalmovies

For when you get tired of debating sex work policies, pondering on your views on porn and other types of adult entertainment - no, we are not having that discussion now - watch the most light-hearted sex work themed movie ever (at least from what I've seen): The Best Little Whorehouse in Texas (1982, Colin Higgins).

It's pure US-made kitsch as only the 1980's were able to do it replete with cowboy dance numbers, songs and *good, clean fun* in the brothel run by the icon, the one and only Dolly Parton who gets in trouble because of religious bigots.

Leaving aside the whole sex work debate (do it someplace else), the strong points of the movie are:

+ A female entrepreneur fighting for her business and employees.

+ Two adults having a non-traditional form of organizing their romantic and sexual lives, which they are pressured to do because of the social perceptions of proper behviour.

+ A very precise depiction of the double standards of the crusaders for morality...

+ The chemistry between Dolly and Burt Reynolds is abundant, oh! uh!, fun to watch actors that 'click' doing the romance scenes.

+ An overall light and fun attitude towards sex and sexuality.

+ Who would have thought that this cheesy piece came from a movie centered around sex work?